DADAFILM, DADAPHOTO and Other Hybrids of Romanian Visual Culture – conference & talk


15-nov-2016_dada

DADAFILM, DADAPHOTO

and Other Hybrids of Romanian Visual Culture
Igor Mocanu in conversation with Dr Jean Khalfa

November 15, 2016 at 7:00 pm at the Romanian Cultural Centre in London (RCC)

Dr Jean Khalfa joins art critic and curator Igor Mocanu for a discussion about Dada and a less documented history of the Romanian avant-garde. Drawing on his research, Mocanu will trace Dada’s influence on the local visual culture, particularly on film. Having gathered a surprising collection of documents often overlooked by the avant-garde history and theory studies, he will assert their important contribution to the visual arts.

Dada movement began in 1916, having a profound influence on the world of arts and culture ever since. Its subversive and revolutionary character was triggered by the work of a small group of artists and poets in Zurich, among them Romanian-born Tristan Tzara, the Iancu brothers, and Artur Segal.
The evening will include the screening of ‘Dadascope’ (1961) and ‘Kiseleff Lido/ Ștrandul Kiseleff’ (1930).

Dadascope

US, 1961, Experimental documentary, 39 min

Director: Hans Richter

With: J. Arp, M. Duchamp, R. Hausmann, R. Huelsenbeck, M. Janco, W. Mehring, H. Richter, K. Schwitters, T. Tzara, W. Vogel, G. Ribemont-Dessaignes

Courtesy of Hans Richter Estate. Special thanks to Erik de Bourbon-Parme.

Kiseleff Lido/ Ștrandul Kiseleff

Romania, 1930, Reportage, 8 min

With: Marcel Iancu, Iuliu Iancu

Courtesy of Romania’s National Film Archive (ANF).

Igor Mocanu is a PhD candidate at the National University of the Arts Bucharest / UNARTE, with a dissertation on the ‘Political avant-garde. The other face of Romanian avant-garde in social, political and economic documents’, coordinated by Prof. Ruxandra Demetrescu. He writes critical texts in magazines and newspapers such as CriticAtac, Art Dance News, Art Ploshadka, and Idea art + society. Mocanu has curated several exhibitions of modern and contemporary art and is currently editor of Revista ARTA, as well as Head of Research at the National Contemporary Dance Centre in Bucharest.

https://igormocanu.wordpress.com/

Dr Jean Khalfa is a Senior Lecturer at the University of Cambridge. He specialises in History of Philosophy, Modern Literature (in particular, contemporary poetry and writing in French from North Africa and the Caribbean), Aesthetics and Anthropology. Khalfa is the editor of multiple publications, among them The New French Poetry, a Bilingual Anthology (with David Kelley, Bloodaxe Books, 1996); The Dialogue between Painting and Poetry (Black Apollo Press, 2001); An Introduction to the Philosophy of Gilles Deleuze (Continuum, 2003) and the first complete edition of Michel Foucault’s History of Madness (Routledge, 2006 and 2009). He is a member of the Comité de Rédaction of Les Temps Modernes, a member of the editorial board of Wasafiri and a trustee of the Cambridge Film Trust. In 2013-14 he held a British Academy/Leverhulme Trust Senior Research Fellowship and is a Chevalier dans l’Ordre des Palmes Académiques.

http://www.mml.cam.ac.uk/jk118
The event will be followed by a reception sponsored by Deli Twist.


NOTES TO EDITORS

Image credits:
1. Still from ‘Dadascope’ (US, 1961)
2. Still from ‘Kiseleff Lido/ Ștrandul Kiseleff’ (Romania, 1930).


For press enquiries please contact Carmen Campeanu: mail@romanianculturalcentre.org.uk/ +44 (0)20 7486 0295

Romanian Cultural Centre in London (RCC):

Manchester Square,
18 Fitzhardinge Street, London W1H 6EQ

T: +44 (0)20 7486 0295
E: mail@romanianculturalcentre.org.uk

http://www.romanianculturalcentre.org.uk

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